Jenny Valentish is an author, freelance journalist and editor.
In 2014, she published her first novel, Cherry Bomb, a teenage psychodrama set in the music industry. She’s currently working on a book of immersive journalism about addiction to be published in 2017. Before writing books, though, she was better known as an accomplished magazine editor, having moved to Australia from England in the mid 2000s and worked on titles such as Time Out Melbourne and Triple J Magazine. The latter publication is where I first met her, in 2009, when I was a new freelancer and still very much learning about how this business works. As an editor, Jenny was patient, supportive and fun to write for, and we’ve kept in touch since.
With her long history of sitting in the editor’s chair and dealing with the daily deluge of story pitches, she has a finely tuned sense of what editors want from their freelance contributors. With her long history of sitting in the editor’s chair and dealing with the daily deluge of story pitches, she has a finely tuned sense of what editors want from their freelance contributors. We discuss this topic in a conversation that took place in Brisbane in early December, as well as how Jenny’s substance use overlapped with her creativity; how she was misrepresented as a “middle-class super groupie” by an NME journalist at age 18; what that experience taught her about having a duty of care toward the people she writes about; why British editorial staff tend to get preferential treatment in the Australian publishing industry; why she started a blog with the goal of doing something new every day for a year and writing about it, and how her early career writing for porn mags helped her to write graphic sex scenes for Cherry Bomb.
Jenny Valentish has been a music journalist since her teens, when her self-published fanzine got her splashed across the British papers for all the wrong reasons. Her career proper started in London as a music publicist, then took a sharp left into book editing for a crime fiction publisher. Staff positions followed at adult magazines and a guitar title, as well as a much-coveted column in NME. Upon defecting to Australia, she worked as chief sub for ACP's Ralph, then as editor of Triple J’s Jmag, and finally as editor of Time Out Melbourne (sister mag to London’s Time Out), which she launched. On her daily commute she wrote the novel Cherry Bomb for Allen and Unwin, tagged as ‘a teenage psychodrama set in the music industry’. Since retiring – as she calls ‘going freelance' – she writes artist bios for record labels and regularly contributes to The Age, The Sydney Morning Herald and The Saturday Paper. She is working on a non-fiction book for Black Inc on women and addiction.
Show notes and links to what was discussed in this episode: http://penmanshippodcast.com/episode-17-jenny-valentish/
Jenny Valentish on Twitter: @JennyValentish
Penmanship on Twitter: @PenmanshipAU